ShareAe.com - Free Download AE Projects - Free Videohive Download - Free Share Stock Footage

After Effects Tips and Techniques: Rendering and Exporting (Lynda)
373MB | Duration: 2h 07m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 48KHz 2ch
Genre: eLearning | Level: Intermediate | Language: English

Get the most out of After Effects, with Eran Stern's After Effects Tips and Techniques. This installment is dedicated to rendering: increasing the quality and speed of your final export, as well as the RAM previews and prerenders you generate along the way. Eran shows how to optimize your system settings, addresses issues like flickering and upscaling, and introduces production-ready workflows that will increase your productivity and speed up interactions with complex projects.

VFX Techniques: Tracking Objects Onto A Face with AE (Lynda)
English | 2h 42m | Intermediate | 1 GB | Author with Lee Lanier
Genre: E-learning

VFX Techniques introduces common yet critical visual effects techniques that are used in film and television shows on a regular basis. This installment shows how to build complex composites with Adobe After Effects and mocha, where motion graphics are mapped to live-action footage of an actor. Author Lee Lanier starts by combining rotoscoping and effects to digitally apply makeup to an actor to disguise motion tracking marks. Then discover how to transfer footage into mocha and generate planar tracking data that you can use to motion track graphics to the moving face of the actor. Plus, learn how to build and adjust motion graphics to create the look of a virtual tattoo and a pair of holographic heads-up glasses.

VFX Techniques: Creating a CG Flag with After Effects and CINEMA 4D (Lynda)
ISO | English | 1h 55m | Intermediate | 983.7 MB | Author with Joseph Lowery
Genre: E-learning

CINEMA 4D's fantastic rigid body and cloth systems and the powerful CAMERATRACKER plugin in After Effects are a great combination for tracking and compositing cloth-like materials in live-action footage. In this course, Craig Whitaker will guide you through the entire post-production process for creating a computer-generated flag from designing a mockup from reference material and tracking the camera movement to constructing the flag using CINEMA 4D's cloth simulation tools and compositing it back into the scene with After Effects. Each step of the process is rich with lessons applicable to similar situations CG and compositing artists will face in the real world.

VFX Techniques: Digital Set Extension (Lynda)
1h 47m | Intermediate | Apr 15, 2014 | 2 GB
Genre: e-Learning

Learn how to digitally extend a set with After Effects. Lee Lanier shows how to remove a tricky green screen with the KEYLIGHT plugin and a custom luma matte, motion track a new background with appropriate parallax, digitally dress a set with static artwork, fabricate shadows, and relight the footage to create a realistic result.

Fundamentals of Compositing Tracking and Roto Techniques with After Effects (Video2Brain)
Language: English |Trainer: Jeff Foster| 01:25:55 | 1024×576 | .FLV | 1.34 GB
Genre: Video Tutorial

In this workshop Jeff Foster — video producer, compositor, visual effects artist, and author of “The Green Screen Handbook” — teaches you the basics of green screen compositing and setting up a streamlined roto workflow with After Effects and a Wacom tablet. You’ll get real-world tips on getting the best mattes and keys from your green screen shots, stabilizing and tracking footage in After Effects, and using the Roto Brush feature to create quick and accurate mattes of anything that moves in the frame. You’ll also learn how to create more believable composites by matching your foreground and background plates, using roto-spline masks, and applying match-moving techniques.

Mograph Techniques : Animating with C4D Effectors (Lynda)
English | 1h 39m | AVC1 960x540 29.97 fps | AAC 96 Kbps 48 KHz | 1.8 GB
Genre: E-learning

Harness the power of the CINEMA 4D MoGraph module to create complex animations with only a couple of keyframes. By stacking multiple MoGraph effectors, you can achieve nice-looking animations quickly and easily, saving you time spent keyframing moves manually. Discover how to change your text on the fly or create iterations of it, while keeping the animation intact. Author EJ Hassenfratz introduces a real-world postproduction workflow, by creating a network bumper promo. This project covers creating 3D text in CINEMA 4D, compositing, and adding final polish to the footage inside of Adobe After Effects.

VFX Techniques: Space Scene 02: Compositing in After Effects (Lynda)
 2h 7m | Video: AVC (.mp4) 1280x720 15fps | Audio: AAC 44KHz 1ch
Genre: eLearning | Working files included | Level: Intermediate | Language: English

What makes a 3D space battle even more spectacular Compositing in Adobe After Effects. Learn to take the render-pass sequences of the spaceship versus asteroid scene you created in part 1 of this series and recombine them in After Effects. Author Lee Lanier shows how to integrate shading and color in your render passes, animate the flames emitting from the spaceship, and create a particle simulation that makes the asteroid explosion seem more realistic. You'll also learn to replicate glows, lens flares, film grain, and camera motion along the way.

After Effects CS5 Visual Effects and Compositing Studio Techniques | 2.7 Gb

This is the only book on the market to focus exclusively on the creation of visual effects for After Effects users, and is a one-stop resource for anyone who wants in-depth explanations that demystify the realm of visual effects and how they were created, thanks to veteran author Mark Christiansen's friendly and accessible style.

Mograph Techniques : Retiming and Tracking Footage (Lynda)
Intermediate | 2h 46m | 1.20 GB | Project Files 622 MB | Software used: After Effects CS6, CC, CINEMA 4D R13, R14

Learn to add motion graphics and color effects to your footage, and retime the results. Author Ian Robinson starts with isolating and building the base composition and tracking the footage with mocha AE, and then integrates motion graphics that reinforce the narration. He also shows how to color correct and retime your composite, whether it includes media shot at normal frame rates or over and undercranked footage.

Creating Motion Graphics with After Effects, Fourth Edition : Essential and Advanced Techniques
English | Fo.cal Pr.ess 2007; 4th edition | PDF & DVD | ISBN-10: 0240810104 704 pages | AVC1 880x660 | MP3 128 Kbps | 22.8 MB eBook + 3.61 GB DVD
Genre: Video Training

Trish and Chris Meyer share fifteen years of real-world film and video production experience inside the critically acclaimed Creating Motion Graphics with After Effects. More than a step-by-step review of the features in After Effects, you will learn how the program thinks so that you can realize your own visions more quickly and efficiently. This full-color book is jammed full of tips, gotchas, and sage advice that will help you survive whatever your next project throws at you.

Mograph Techniques: Shape Animation in After Effects (Lynda)

There are some big advantages to using shape layers in After Effects: precise, fast rendering; compatibility with Illustrator; and smaller file sizes. Their vector quality means the artwork can be scaled to any size while remaining crisp and sharp. And they work with third-party effects and support layer styles. Take a deep dive and explore how to use the shape tools to communicate ideas in an uncluttered way and make complex animations simple. Eran Stern shows how to create custom wipe animations, use mathematical operations to animate shapes and paint them in over time, and morph between vector shapes.

Mograph Techniques: Physics Simulations in After Effects (Lynda)
English | 2h 00m | AVC1 1280x720 29.970 fps | AAC 128 Kbps 44.1 KHz | 338 MB
Genre: eLearning | Level: Intermediate

Explore how to create complex physical animations inside After Effects using Newton (a third-party plugin) and the Connect Layers (a free script). This project-based course covers a few specific and popular types of effects, such as letters suspended from strings and connected, randomized spheres. Artist Eran Stern shows how to connect any type of element together in a complex 3D array of strings and work with different dynamic simulations in order to create Dormant and Collision as well as Staggering and Kinematic animation types.

Mograph Techniques: Creating a Flat Vector look using C4D and After Effects (Lynda)
1h 43m | Intermediate | Apr 23, 2014 | 305 MB

Creating flat vector-based artwork that moves along the X, Y, and Z planes is a fun and beautiful way to give an animated infographic style and energy. You can mimic this 2D look with a 3D animation-like feel using the power of CINEMA 4D and After Effects combined. Artist Eran Stern shows mograph artists how to achieve this simple style of rendering using a series of project-based examples: a sophisticated particle reaction, a complex DNA chain sequence, a button, and a coin animation.

Mograph Techniques: Creating a Sports Bumper (Lynda)
2h 26m |Intermediate | May 30, 2014
Genre: eLearning | Project include | Language: English

How do motion graphics artists create those polished animated graphics for channels like ESPN on such short deadlines? They turn to the high-powered toolset in CINEMA 4D. In this course, EJ Hassenfratz shows you how to use those same tools to create your own dynamic, high-energy sports bumper. Learn how to model the basic elements in C4D and add robotic-style movement with the Mograph module, and take a logo from Adobe Illustrator and turn it into a smart, beveled 3D project. Then EJ shows how to combine it all in After Effects, along with a few special effects. This workflow mimics a real post-production environment and allows a more intermediate look at the mograph module and an opportunity to take your motion graphics knowledge to the next level.

Sky Replacement Techniques in After Effects (Tuts+ Premium)
English | Size: 500 MB
Category:TutPlus

No matter what your project may be, there are a ton of reasons to consider manipulating the sky in your shots. You can make dreary days look sunny, sunny days look dreary, or even match footage taken under different conditions. This After Effects course will guide you through all these techniques and more!