After Effects Compositing Essentials: Advanced Matching and Looks (Lynda)
After Effects Compositing Essentials: Advanced Matching and Looks (Lynda)
Incorporating a 3D camera into an otherwise 2D shot, or mixing 3D and 2D layers together brings 3D reality to the 2D screen. But there's more to it than simply adding a camera or camera track to a composition. You need to match the characteristics of a real, physical camera: replicating how it sees the world. You need to match the color of the original shot, or maybe even make creative adjustments. You might need to tweak the lighting, match motion blur, or compensate for lens distortion. You might even want to take advantage of high dynamic range (HDR) imaging techniques or experiment with different filmic looks. In this course, Mark Christiansen takes you through these scenarios and the next step in After Effects compositing: matching a shot and making it look not just realistic, but cinematic.
Looks Like Success (Audiojungle)
Looks Like Success (Audiojungle)
Created 13 April 11
Audio Files Included WAV
Bit Rate 320 kbps
BPM 160
Length 1:02
Looped Audio Yes
Sample Rate 16-Bit Stereo, 44.1 kHz
Luster Grade Presests for Magic Bullet Looks
Luster Grade Presests for Magic Bullet Looks
Add that “sexy” illusive look to your footage. I share with you some of the most sought after looks from Indie film to mainstream Hollywood. Add a stylized vintage look or a mainstream Hollywood pop look!
Coming up with stylized grades is one of the biggest challenges of being a Colorist. Top colorists in the world don’t build custom looks for every project, they pull looks from a library of looks they have amassed over their career and give a little tweak here and little there and that’s it! That’s smart grading!
Not many colorists are willing to share their secret recipes but I share with you my personal library of my go to custom looks to get you crack ‘lackin on highly stylized grading.
Preset Looks Pack for Magic Bullet Looks
Preset Looks Pack for Magic Bullet Looks